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 Wed 09/12/01      



Mi 19-22 Uhr, Do 10-20 Uhr, Fr 10-22 Uhr, Sa 10-02 Uhr, So 10-18 Uhr
Roulette

Installation

“In a darkened room 15 x 3 x 3 metres, a video sequence is beamed – in endless rear projection - onto the square wall facing the visitor as he/she enters.

Computer-manipulated texts from Genesis may then be seen as a rolling text before a background of orange/white graph paper.
When the visitor slowly approaches the area of the projection, a system of several consecutive sensors or surveillance cameras ensure that the colour, form and lettering of the videos changes into faster or slower sequences, s/w motion blurs and transformations causing the explosion of particles. This is based on sequences of images which I took in the underground, several kilometre long, ring-shaped tevatron-accelerator at the Fermi Laboratory.
In addition, a revolving disc - resembling a data carrier, made of yellow, blown glass and then sand blasted - becomes visible. The participles of numerous verbs are written on this in the form of a spiral. They characterise states of motion; rushing, stabbing, penetrating, hitting, racing, hurrying, staggering, flowing, dragging, banging, flickering, chasing and so on. In the process, the disc moves so that it is possible to perceive the words as such, but so that they can scarcely be read. At the same time, the spiral form has the effect of attracting our eyes magnetically, just as a tunnel would.

Finally, within the flow of images the manipulation of these impressions of motion becomes the theme itself, in the shape of manipulating hands. As a metaphor, they generate the exchange of energies as concrete action. In the process, the real shadows of hands overlay those hands depicted as something imaginary.

The activating of the final sensor (around 1 metre in front of the projection surface) triggers a last, absurd video projection of simple graph paper. This rigid projection – pointlessly - consists of 4500 individual frames. The 25/fps movement becomes a still; as a last imaginary sequence, the running images blend into the installation space, whose walls inside and out consist of stretched and mounted graph paper. Paradoxically, movement and immobility become one.”
Lisa Schmitz


Lisa Schmitz
(Artist, Berlin)
 
Download/s:
  Roulette (Video)
 

  : Foyer of the Kulturforum  
     


Jacob van Ruisdal, View of Haarlem, 1670
Gemäldegalerie SMPK
The Small Ice Age and Dutch Landscape Painting in the 17th Century

An exhibition by the Gemäldegalerie Berlin in the series “Bilder im Blickpunkt“ (Focus on Pictures) in cooperation with the GeoForschungsZentrum (GFZ, Centre of Earth Research), Potsdam.

Due to the influence of the Gulf Stream, the climate in the Netherlands is mild and temperate, in winter as well. The choice of themes demonstrated in 17th century Dutch landscape painting is therefore surprising, since there is a marked preference for the winter picture offering a view of the country’s water-logged areas covered in ice. Even in portrayals of the other seasons, there is a lack of warm light from the sun. Is it possible that the temperatures were lower and the weather less stable in Holland during the “Golden Age” than they are today? The new earth sciences, in particular palaeo-climatology, substantiate this theory, and it has been established that there was a small “Ice Age” with well below average temperatures in the area of the northern hemisphere from the late 16th to the mid-19th century. The exhibition informs visitors about these findings, presenting both important Dutch landscape paintings, and natural scientific material including instruments for measuring and documentation such as a climate periscope and a terranaut. The connection between the earth sciences and art history is an unusual one, it is true, but the basic aim is the same in both disciplines – to portray mankind in his surroundings, using the intellect and the eyes.

  : Gemäldegalerie Staatliche Museen zu Berlin  
     



Landolf
European Drawings - Microphony

16 channel composition / installation

Speech issues from upturned microphones on the necks of tripods positioned to shape ensembles. The prologue of these storks records the prologue of the parliamentarians. Between translations, breaths are drawn in eleven languages. The breathing makes itself heard and then drifts away. In this antiphonal sprechgesang of voting voices, a metaphor of sound images is exuded from the mouth of Europe, “Contract Tendencies” in “European Drawings”.

Thomas Schulz
(Artist)
 
Download/s:
  European Drawings - Microphonie (Audio)
 

  : Wandelhalle der Gemäldegalerie  
     


The Wunderblock, Installation
Arnold Dreyblatt, Der Wunderblock

Galerie Anselm Dreher, Berlin, 2000 (Group Exhibition "recall to mind" w/ Rolf Julius, Joseph Kosuth, May 27 - July 15, 2000)

Table from MDF with internally mounted TFT-Display and Computer, Chair

"Now some years ago there came upon the market, under the name of the "Mytic Writing Pad", a small contrivance that promises to perform more than a sheet of paper or a slate. But if it is examined more closely it will be found that its construction shows a remarkable agreement with my hypothetical structure of our perceptual apparatus and that it can in fact provide both an ever-ready receptive surface and permanent traces of notes that have been made upon it."
Notiz über den 'Wunderblock ('A Note upon the 'Mystic Writing Pad'), Sigmund Freud, 1925

Text: 79 Phrases from: Notiz über den 'Wunderblock' (A Note upon the 'Mystic Writing Pad'), Sigmund Freud, 1925; Int. Z. Psychoanal., 11 (1), 1-5; English Translation: Int. J. Psycho-Anal., 21 (4), 469-74, trans. by James Strachey 1950

335 Phrases from: Second Oxford English Dictionary. Ed. J. A. Simpson and E. S. C. Weiner. 2nd ed. Oxford: Clarendon Press,1989 A Glossary for Archivists, Manuscript Curators, and Records Managers; compiled by Lewis J. Bellardo and Lynn Lady Bellardo; The Society of American Archivists, Chicago, 1992.

Display: 14 Zoll TFT, 1024 x 768; Display Window: 20H x 15W cm.

Text size: 14 pt.; Normal and Italic (Freud Text) ; 32 Lines visible on Display

Display Colour: White letters on black field.

Text Writing Live from Database: Choose multiple random text fragments from database... Write in random position in random line... Wait, fade to random grey scale... Wait, fade to black (disapear)... Overwriting permitted...

Programming: Alexandr Krestovskij, Prague

Arnold Dreyblatt
(Artist, Berlin)
 
Download/s:
  Der Wunderblock (Text)
 

  : Wandelhalle der Gemäldegalerie  
     
 Sat 09/15/01      

18-2.00 h
Lange Nacht der Wissenschaften

Long Night of Sciences

The 1. Berlin Science Night with more than 80 science institutions at 5 shuttle bus tours.

>> Website of the Long Night of Sciences

  : 80 science institutions  
     
 Thu 10/25/01      

19.30 h
Intersection of Body - Machine

Performance & German reading - Project "WissensKünste" (Arts of Knowledge) of the Zentrum für Literaturforschung (Centre for Literary Research)
Price: 20 DM / erm. 10 DM


Stelarc
(Artist)
Oswald Wiener
(writer/scientist, Kunstakademie Düsseldorf)
 

  : Hamburger Bahnhof  
     
 Thu 11/22/01      

19.30 h
Is homo sapiens exclusive?

German - Project "WissensKünste" (Arts of Knowledge) of the Zentrum für Literaturforschung (Centre for Literary Research)
Price: 20 DM / erm. 10 DM


Lori B. Andrews
(scientist)
Anthony (& Sammy Cucher) Aziz
(artist/fotograph)
Sammy (& Anthony Aziz) Cucher
(Artist/fotograph)
 

  : Hamburger Bahnhof  
     
 Thu 01/24/02      


Hamburger Bahnhof
19.30 h
The second genesis - genetics and religion

German - Project "WissensKünste" (Arts of Knowledge) of the Zentrum für Literaturforschung (Centre for Literary Research)
Price: 20 DM / erm. 10 DM


Thomas Macho
(culture scientist)
Toni Oursler
(Videoartist)
 

  : Hamburger Bahnhof  
     
 Thu 02/21/02      

19.30 h
The in-formation of the social body

Project "WissensKünste" (Arts of Knowledge) of the Zentrum für Literaturforschung (Centre for Literary Research)
Price: 20 DM / erm. 10 DM


Dan Graham
(Artist)
Dean Hamer
(Scientist)
 

  : Hamburger Bahnhof  
     
 Thu 04/25/02      

19.30 h
Genetics and computer sciences - a liaison dangereuse?

Project "WissensKünste" (Arts of Knowledge) of the Zentrum für Literaturforschung (Centre for Literary Research)
Price: 20 DM / erm. 10 DM


Louis Bec
(Artist)
Dinos Chapman
(Artist)
Jake Chapman
(Artist)
 

  : Hamburger Bahnhof  
     


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